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Yet civic pride had a fatal collision with the drive for excellence in the unlikely setting of Pottstown.And that raises the question: What makes an ensemble authentically "local"?Are the early-music groups Tempesta di Mare and Piffaro the Renaissance Band less local because some of their regular members don't live here?Rather, he stuck around to welcome the ensemble's various honored guests.Now, music directors bolster their musical relationships by having multiple simultaneous commitments.Everybody is nicer to an artist who has other places to go.Early in Kurt Masur's New York Philharmonic tenure, I asked the Leipzig-based conductor how he was improving the orchestra so quickly.
Is the choral group Seraphic Fire, based in Florida, "local" now that it performs periodically in Philadelphia?A wave-of-the-future moment hit me over the winter with another "fire" group.But anyone who thinks an orchestra's leadership and membership should be exclusively planted in their community is living in the last century.In decades past, Eugene Ormandy, leader of the Philadelphia Orchestra, did not spend his weeks off jetting around the world to work with others."I tell them if you don't want to play well for me, I'll go home," he said.
Would the Philadelphia Orchestra have offered Yannick Nézet-Séguin a 10-year contract were he not about to be hired by the Metropolitan Opera?